All posts tagged: TV

Ekostories from the medium of television.

Escapades in Ecology: Simpsons’ Bart the Mother

Published by Isaac Yuen

“Hi, I’m Troy McClure. You may remember me from such nature films as “Earwigs, Ew!”, and “Man Versus Nature: The Road to Victory.” The Simpsons started life as a quirky satirical parody of the typical American middle-class family three decades ago and has since become a cultural touchstone for entire generations of viewers. There’s not much the longest running sitcom in US television story hasn’t spoofed and parodied, and that includes humanity’s relationship with nature. Season ten’s Bart the Mother is not the only environmentally themed episode of the series, but it is my personal favourite. As the last episode voiced by the legendary Phil Hartman (RIP), Bart the Mother is not only an intriguing and hilarious story about the consequences of introduced species, but also explores the mentality with which we engage with the world around us.

Reconnect 3: Courageous Ekostories

Published by Isaac Yuen

This week’s Reconnect focuses on Ekostories with protagonists who demonstrate courage in non-traditional ways. By expanding their thinking, standing by their principles, and doing things their own way, each of them became emotionally healthier and mentally stronger. By working on becoming internally sustainable and resilient, they became natural leaders and role models who are capable of igniting the fires of change in the world they live in.

Avatar: The Last Airbender – World and Mythology

Published by Isaac Yuen

Just to make it clear, this will not be about James Cameron’s Avatar. Nor is it about The Last Airbender, the live-action adaptation by M. Night Shyamalan. Instead, this series will be devoted to the popular animated television show titled Avatar: The Last Airbender. I’ll simply refer to the show as Avatar in this and other subsequent posts. The series was first brought to my attention by a good friend of mine; I initially paid little heed to his initial sales pitch of “it’s really good!” because we generally have very different tastes. But on one Sunday afternoon, I happened upon an episode (now known to me as Bitter Work) and was caught off-guard by the show’s blend of Eastern influences, subtle characterizations, sharp dialogue, slapstick humour, layered mythology, and most important of all, excellent storytelling. Intrigued, I decided to catch up on the series from the beginning. It has since grown to become one of my favourite television shows, animated or otherwise, of all time. Like many contemporary works of fantasy for children and young …

Star Trek’s Finest Hour: The Inner Light

Published by Isaac Yuen

Star Trek: The Next Generation was one of the first western television shows I recalled watching. As a kid, I didn’t understand why people were dressed up in primary colour uniforms or what they talked about, but it all sounded very interesting and important. As my English comprehension skills improved, it grew to become one of my favourite shows and provided my first exposure to science fiction. Many people who dismiss science fiction tend to think it begins and ends with rocketships and warp drives, along with the implication that to escape from the real world is essentially a childish impulse. But many of the best sci-fi stories are able to use the metaphors of the genre as unique vehicles to deliver insight into the human condition: “Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life – science, all the sciences, and technology, and the relativistic and the historical outlook, among them.” -Introduction to …

A 90’s Flashback: Dinosaurs’ Changing Nature

Published by Isaac Yuen

Television sitcoms are unlikely sources for meaningful stories about the environment. But there are exceptions. I found one of them in Jim Henson’s Dinosaurs, a puppet show that ran for four seasons from 1991 to 1994. Dinosaurs takes place in 60 million years BC and follows the lives of a typical dinosaur family: Earl Sinclair, father; Fran Sinclair, mother (voiced by Jessica Walters, for all you Arrested Development fans out there); Robbie Sinclair, son; Charlene Sinclair, daughter; Junior Sinclair, aka The Baby; and Grandmother Phillips. The show is a satirized portrayal of the American household; each episode typically features the family dealing with topical issues of the day. The LA Times described the show as a “consistently funny comedy to chew on, the only spot on television where the Mesozoic Era intersects with witty social commentary.” Many regarded the show as a unique blend of The Honeymooners, The Flintstones, and All in the Family. The series finale titled “Changing Nature” revolves around Earl’s irresponsible actions towards the environment, and provided an emotional and lasting experience …