All posts tagged: Stories

Stories that contain themes of nature, culture, and self.

Cheung Chau Sunrise Orient

Lodestone, Tahoma Lit Review

Excited to have a flash nonfiction piece published in the latest issue of Tahoma Literary Review, a great journal produced with “the aim of contributing to and sustaining a healthy literary ecosystem.” A description of the themes explored in this volume: “The 25 selections in our Fall/Winter issue describe dreams and omens; bodies in motion; how we deal with fear and grief; what we inherit and what we pass on. The stories, essays, and poems range in time and geography from the drought-ridden Midwestern plains of the 1870s to present-day Cheung Chau, Hong Kong.”  “Lodestone” takes place in that latter location, on the isle of Cheung Chau off the shores of Hong Kong, and revolves around a narrator’s return to a homeplace only to discover he is not the only one who has been drawn back. The featured photo may help you situate in the space, as it did for me when I finally sat down to write this piece. I feel especially fortunate to be in the company of some fantastic authors in this issue; …

Sunflower Briar Patch

The Briar Patch, The Sunlight Press

Happy to have a short piece published in The Sunlight Press, a literary journal for new and established voices: “…With the site prepared, you and your friends begin to forge something new. There are no master plans, no plans at all. A wire fence, they say, to keep out the rats. Some wood chips to lay, to mark down the paths. You throw yourself into tasks that fill body and mind, and over the course of an easy spring, hard work gives rise to small beginnings. Radish seeds and sweet peas spool forth soft threads, greedy for light. Butterflies wink in and out to drink sugar syrup from trumpet flowers. A new commonwealth sprawls forth above ground and underfoot. Yet part of you still yearns for the manic patch of old, wild and invasive, all-consuming…” Exploring the healing power of a garden over the seasons, “The Briar Patch” is a piece that fits with the publication’s desire to explore the many ways “people turn toward light and hope”, and also of epiphanies “born from the …

Emperor Penguins

On Pools and Penguins: Zoomorphic’s Brave Bird

Just in time to wrap up the year, I’m pleased to announce that my short meditation on emperor penguins is out in Zoomorphic: In Celebration and Defence of Wild Animals: “While doing laps at the pool one day, I came to the conclusion that the penguin is the most courageous and admirable of birds, because swimming is a meditative act, and a cleansed mind occasionally entertains notions of avian mettle. Not the eagle, I decided, which coasts by on piercing looks but is secretly not above scavenging, nor the owl, whose fame for foresight is wholly unearned, bested in wit by any parrot or common crow. No, I concluded as I flipped and pushed off into another length, it is the penguin I revere in all its awkward, earthbound glory…” The germ of the essay originated during a routine pool session back when I was still disciplined enough to go regularly; somehow movement, especially repetitive acts like walking or swimming, seems to help facilitate the flow of ideas. The piece also ends with a personal resolution …

2047: Short Stories from Our Common Future

I‘m honoured to have a piece included in 2047: Short Stories From Our Common Future, an international climate fiction anthology released last week. My interest was initially piqued when author Tanja Bisgaard approached me with the collection’s premise: 30 years have passed since the release of the Brundtland report, a landmark document from the UN World Commission on Environment and Development that introduced the idea of sustainable development as that “which meets the needs of the present without compromising the ability of future generations to meet theirs.” What will the world be like 30 years from now? With the perception that climate fiction (or cli-fi as it’s now called) tending to be weighty and depressing, I decided to inject some levity into my contribution. “NuVenture™ TEMPO-L QuickStart Guide” is satire through and through; the story takes the form of an instruction manual for the world’s best selling budget-model time machine, poking fun at capitalism’s worst impulses taken to their logical extremes. “So I gathered a group of authors and asked them to write their vision of …

Giant Steel Crab George Norris

What Matters, River Teeth Journal

Recently, I had the honour to contribute a short-short to “Beautiful Things”, the online section of River Teeth: A Journal of Nonfiction Narrative. River Teeth is one of the most well-known creative nonfiction publications around, and in my opinion has the most inspired name. On its origin: “…there are hard, cross-grained whorls of human experience that remain inexplicably lodged in us, long after the straight-grained narrative material that housed them has washed away. Most of these whorls are not stories, exactly: more often they’re self-contained images of shock or of inordinate empathy; moments of violence, uncaught dishonesty, tomfoolery; of mystical terror; lust; joy. These are our “river teeth”-the knots of experience that once tapped into our heartwood, and now defy the passing of time.” – David James Duncan On what “Beautiful Things” look like: “Glimpses, glimmers, meditations, moments, reflections, refractions, interrupted shadows, river shimmers, darkened mirrors, keyholes, kaleidoscopes, earring hoops, slabs of cracked granite, cracks where the light gets in. Beautiful things.” – River Teeth’s website I won’t spoil “What Matters” since it’s less than …

marcovaldo-artwork

Italo Calvino’s Marcovaldo: Seasons in the City

Bedridden with the flu on a recent writing retreat, I had resigned myself to focus on recovery rather than to get any writing done. I had not expected, between the coughing fits and the fever chills, to find new inspiration from a familiar source. But there it was, sitting eye-level on the third shelf of a corner bookcase at a stranger’s vacation rental, all 128 pages of glory: Italo Calvino’s Marcovaldo, translated by William Weaver. My experience with Calvino is uneven. On more than one occasion, my awe of the Italian author’s way with words outpaced my ability to keep up with the quickness of his intellect. I gave up halfway through The Castle of Crossed Destinies because my mind could no longer hold the labyrinth of interconnected narratives together, and while I admired and strove to emulate the stylings of his Cosmicomics, many of those journeys across time, space, and imagination remains beyond my comprehension. Yet when Calvino’s work connects, he leaves an impression upon me unlike any other author. Even as I have professed …

Me and Gravity

Me and Gravity, Orion Magazine

Update: “Me and Gravity” has been selected as a “Notable” entry in The Best American Science and Nature Writing 2017 Anthology. I am honoured to be a contributor in the latest double-issue of Orion, a fantastic magazine that explores ideas around nature, culture, and place. If that tagline sounds familiar to Ekostories, it’s because Orion was one of my chief inspirations for taking up the pen (keyboard?) years ago and remains one of the few publications I relish reading from beginning to end. I’m thrilled to have my short piece, “Me and Gravity”, included as the coda. But beyond the thrill of seeing the work in print, what I am most grateful for  – and it was something that came as a delightful surprise – is to be part of an issue that focused on diversity and perspectives, especially pertaining to the environmental movement. So here is my request: If you haven’t already, pick up this beautifully produced, completely ad-free publication and see what it’s about. But don’t do it because of my silly little story. Don’t even …