All posts tagged: Slider

Link and the Forest Temple Jeremy Fenske

Newfound, Journeys to HYRULE_

Delighted that my latest piece of creative nonfiction titled “Journeys to HYRULE_” has found the perfect home with Newfound, a nonprofit publisher and publication that explores how place shapes, identity, imagination, and understanding: “We believe that a richer experience of place—spaces human-made, natural, conceptual, or otherwise—is requisite in understanding ourselves and our world. Newfound is passionate about positively transforming how we relate to our habitats and bringing about better stewardship of our homes, neighborhoods, communities, cities, nations, and the globalized world at large.” —Why is Newfound important? Inspired by Italo Calvino’s Invisible Cities and Nintendo’s The Legend of Zelda videogame series (both of which I have written about here on Ekostories), “Journeys” is a rumination on the lifelong bonds I’ve forged with a certain virtual world. I was particularly interested in exploring the notion of attachment to a digital realm that is constantly reimagined with each iteration, along with the feeling of returning to a familiar place I have never been: “…This is not my story but I know its shape. I am not the …

Life Lessons from the Odd and Ancient, The Hopper

Pleased to have a new natural history essay up at The Hopper, an environmental literary magazine from Green Writers Press. The germ of this came about when I was piecing together an impromptu interpretive talk on living fossils and extinct creatures a few years back. Looking through horseshoe crabs, replica Megalodon teeth, and Cretaceous cypress needles, I was inspired by the many bizarre and under-appreciated organisms throughout Earth’s history, and felt compelled to share some of their stories through wordplay and lyrical prose: “If you’ve been feeling adrift on the sea of life lately, it might be best to seek guidance from an elder. You may wish to fish one out of the drink, like Captain Hendrik Goosen did one salty morning off the coast of South Africa in 1938, but be sure to verify its credentials first, as curator Marjorie Courtenay-Latimer did after spotting the creature’s four fleshy fins and puppy dog tail. Surprised at being consulted after four hundred million years, the coelacanth may be inclined to impart its accrued wisdom onto receptive devotees. …

Big Blue

Our Museum of the Future – Shenandoah

Humbled and honoured to contribute a short story to the latest issue of Shenandoah Literary Magazine. I had the good fortune of working on “Our Museum of the Future” with editor Beth Staples, whose new vision for the venerable publication is one I find compelling: “…I consider it my job to privilege voices that don’t fit into that category, not just because it’s the right thing to do to counteract many years of established practice, but because reading is one of a very few ways we can jump into the mind of someone else.” The fundamental purpose of literature in Staples’ view is “to expand the reader’s sense of the world and their place in it. It should also be one of our goals for being alive: stepping into another person’s shoes and practicing radical empathy.” – Radical Rebirth, The Columns “Our Museum of the Future” grew out of the conceit that there exists a public space where words are showcased and curated in the same fashion as bones: “Welcome to a museum of words instead of bones. …

Cheung Chau Sunrise Orient

Lodestone, Tahoma Lit Review

Excited to have a flash nonfiction piece published in the latest issue of Tahoma Literary Review, a great journal produced with “the aim of contributing to and sustaining a healthy literary ecosystem.” A description of the themes explored in this volume: “The 25 selections in our Fall/Winter issue describe dreams and omens; bodies in motion; how we deal with fear and grief; what we inherit and what we pass on. The stories, essays, and poems range in time and geography from the drought-ridden Midwestern plains of the 1870s to present-day Cheung Chau, Hong Kong.”  “Lodestone” takes place in that latter location, on the isle of Cheung Chau off the shores of Hong Kong, and revolves around a narrator’s return to a homeplace only to discover he is not the only one who has been drawn back. The featured photo may help you situate in the space, as it did for me when I finally sat down to write this piece. I feel especially fortunate to be in the company of some fantastic authors in this issue; …

Clouds and Cornfield

All My Best Words Were Hers

My thanks to Entropy Magazine for publishing All My Best Words Were Hers, my essay exploring the legacy of Ursula K. Le Guin. Over the past several months, I’ve mourned her passing by reading every tribute I can find. Most touch upon her seminal works, on Earthsea and Omelas, on The Dispossessed and The Left Hand of Darkness. Yet few seem to speak to the wider breadth of her oeuvre, which ranged from critical essays and genre-defying short stories to translations of ancient texts and funny food recipes. Le Guin would be rankled at that, I think. This piece is intended to shine a light on her lesser known works, reorient her more famous pieces through my own lens, and showcase the woman behind and beyond the words. She would appreciate the gesture, I hope: “In the evening, my mom sends me a text: Are you ok? I saw one of her quotes @Twitter: ‘Go on and do your work. Do it well. It is all you can do.’ Gensher, of Way. A biological parent, delivering advice from a literary …

Arctic Iceberg

On The Edge, Calling Back: An Interview with Barry Lopez

I had the recent pleasure of reading a great interview with Barry Lopez that I would like to share here on Ekostories. I’ve long admired Lopez’s writing; Arctic Dreams remains one of the most perceptive and spellbinding books I’ve read in recent years. In the interview, Patrick Pittman chats with the celebrated author on “ethics, hope, death, and the importance of good people in times that are not.” Lopez comes across as someone who has lived life deeply and reflected upon it a great deal, especially in the last stages of his life, but what I find equally interesting are Pittman’s probing questions on nature, writing, and legacy. I’ve included a few of them below: On the responsibility that comes with naming: “You write about places that are relatively untouched by the human hand. Of course, nothing’s untouched, but there’s an idea of land being at least unspoiled. In capturing these places, you make them a known place. There’s a danger in that; there’s got to be some sort of care and obligation when you write about these spaces.” On the perils …

Lungwort Lichen

Regarding Lichen, Tin House Online

Happy to announce that my short story “Regarding Lichen” has been published on Tin House Online as part of their Flash Friday series. “Lichen” was inspired by the stylings of the late and great Donald Barthelme, in particular one of my favourite story of his titled “Concerning the Bodyguard” which is similarly built on questions hinting at an underlying narrative. “Lichen” takes a different tone and is written as a love story: “What are the odds of the lichen settling on this rock? This tongue of rock, jutting out from a sea of permafrost? Is the lichen aware of other lichens, borne on other winds, clones of itself, diaspores settling on bleached shores, on exposed outcrops, or drowning in bogs?” I hope you enjoy it. I apologize for not posting more in recent months. It’s partly due to the fact that I’m working on a bunch of different projects (like this one) and partly because after a hundred plus essays, I’m running low on stories I want to explore on a deeper basis. But rest assured, …