“No philosophy can compare in intensity and richness of meaning with a properly narrated story… storytelling reveals meaning without committing the error of defining it… it brings about consent and reconciliation with things as they really are…” – Hannah Arendt, political philosopher
Sticking to last weeks’s topic on music and sound in storytelling, I wanted to share a series of development videos around Flower, a videogame released in 2009 by thatgamecompany. It’s one of my personal favourites, and in these videos, music composer Vincent Diamante and sound designer Steve Johnson talk about their experiences crafting an emotionally resonant narrative for a game without text, speech, or even characters. Take a look:
“Are there other ways to tell environmental stories? With Christopher Booker’s Seven Basic Plots as a field guide, I’ve been searching for examples of environmental journalism with other-than-tragic narratives — archetypal frameworks that still fit the facts, but startle the reader out of his or her mournful stupor.” (Michelle Nijhuis) Taking a slight breather at the halfway point of the Nausicaa Project, I wanted to share an intriguing article titled It’s Not (Always) About the Lorax by Michelle Nijhuis. She notes too often environmental stories gravitate towards tragedy because it’s the most direct method for expressing the loss or diminishment of nature. But while this approach is honest and powerful, it can leave readers feeling depressed, powerless, and paralyzed. Nijhuis loosely uses Booker’s Seven Basic Plots to highlight a series of well-written narratives that use other approaches to convey environmental understanding. My favourite story listed has to be Alan Rabinowitz’s incredible Wild Eyes, if only because I’ve actually camped in the Cockscomb Jaguar Preserve in Belize. The piece got me thinking about the Ekostories I’ve explored. What …
I was pleasantly surprised to come across a WordPress blog titled Why Story Matters by Mike Dimartino, co-creator of Avatar: The Last Airbender, a show I’ve written about previously on Ekostories. Discussing a video from the World Science Festival titled Why We Tell Stories: The Science of Narrative in one of his posts, Dimartino teases out some fascinating insights explored during the involved panel discussion. As Ekostories is focused on exploring the potential of stories to generate connections and environmental understanding, I would like to share his key takeaways and comment briefly on them.