All posts tagged: Essay

Life Lessons from the Odd and Ancient, The Hopper

Pleased to have a new natural history essay up at The Hopper, an environmental literary magazine from Green Writers Press. The germ of this came about when I was piecing together an impromptu interpretive talk on living fossils and extinct creatures a few years back. Looking through horseshoe crabs, replica Megalodon teeth, and Cretaceous cypress needles, I was inspired by the many bizarre and under-appreciated organisms throughout Earth’s history, and felt compelled to share some of their stories through wordplay and lyrical prose: “If you’ve been feeling adrift on the sea of life lately, it might be best to seek guidance from an elder. You may wish to fish one out of the drink, like Captain Hendrik Goosen did one salty morning off the coast of South Africa in 1938, but be sure to verify its credentials first, as curator Marjorie Courtenay-Latimer did after spotting the creature’s four fleshy fins and puppy dog tail. Surprised at being consulted after four hundred million years, the coelacanth may be inclined to impart its accrued wisdom onto receptive devotees. …

Lammergeir by Lip Kee

Lammergeier, Journeys to Earthsea

Thrilled that my newest personal essay has found a home in the debut issue of Lammergeier, a literary publication named after one of the coolest birds around: “Lammergeier, as with so many artistic visions, starts with a bird. Lammergeiers eat almost exclusively bones. Using its large, powerful wings, the lammergeier drops bones from the great heights to crack them open and access the marrow inside. The lammergeier is also renowned for its plumage: brilliant rusty-hued feathers and dark, bristled faces created both by the luck of birth and the wear and tear of its mountain habits. We here at Lammergeier look for the beautiful vulture, the wonder uncovered digging through the grotesque, the sustaining viscera inside the carcass.” – About Us, Lammergeier “Journeys to Earthsea” delves into the trips I’ve made over the decades to what is arguably the most famous fictional archipelago: “Narveduen. The name is what draws my eye. NAR-VE-DU-EN. The sound is what holds true. Surrounding it, the isles of Derhemen, Onon, and Hille. South and west, the scraps of rock above …

Perseid Meteor Showers

Transience, Juxtaprose Magazine

Happy to have a new personal essay up in the summer issue of Juxtaprose, a literary magazine that juxtaposes both emerging and established writers as well as local and global ones. It seemed a good fit as Transience itself contrasts the terrestrial with the celestial, the profound with the quotidian, the intimate with the vastly distant: “…Hundreds of us had gathered for the Perseid meteor showers, drawn to a source phenomenon that may have sparked our species’ penchant for fireworks, rock concerts, and other grand spectacles. Throughout the ages cultures gave names to these star sacrifices, imbued them with intention, granted them power. Shooting stars were transmuted into the slings of slighted gods, dragons of fortune and calamity, the tears of martyred saints. Even in modern times, when we know that they comprise mere rock and debris, many of us continue to attach meaning to these mineral rains. Some of us still seek miracles by appealing to forces we do not understand and cannot master. I still, on occasion, have the need to wish upon …

Clouds and Cornfield

All My Best Words Were Hers

My thanks to Entropy Magazine for publishing All My Best Words Were Hers, my essay exploring the legacy of Ursula K. Le Guin. Over the past several months, I’ve mourned her passing by reading every tribute I can find. Most touch upon her seminal works, on Earthsea and Omelas, on The Dispossessed and The Left Hand of Darkness. Yet few seem to speak to the wider breadth of her oeuvre, which ranged from critical essays and genre-defying short stories to translations of ancient texts and funny food recipes. Le Guin would be rankled at that, I think. This piece is intended to shine a light on her lesser known works, reorient her more famous pieces through my own lens, and showcase the woman behind and beyond the words. She would appreciate the gesture, I hope: “In the evening, my mom sends me a text: Are you ok? I saw one of her quotes @Twitter: ‘Go on and do your work. Do it well. It is all you can do.’ Gensher, of Way. A biological parent, delivering advice from a literary …

6 Degrees of Interconnection

Six Degrees of Interconnection, Orion Magazine

I’m pleased to have another short essay, “6 Degrees of Interconnection”, published in the latest Orion. Despite the title of the piece, I promise it is 100% Kevin Bacon free. Here’s a description on the rest of the issue: “In this issue, Robin Wall Kimmerer explores how language can affirm our kinship with the natural world, and John Landretti considers where the line lies between what is real and what is perceived. Other features include Jeremy Miller on an ecological experiment to create a wilderness area, and Anjali Vaidya on what it means to adapt in a post-colonial world. Also: poetry by Sierra Golden, Kimiko Hahn, Joan Naviyuk Kane, and James Thomas Stevens; plus Simen Johan’s lush photographs of wild animals and Jesse Chehak’s photographs of luminous water and ice in the North and West Atlantic.” I had the pleasure of attending the 2015 Bread Loaf Orion conference with Anjali Vaidya, so I’m naturally delighted to have my work featured alongside hers. Titled “Native or Invasive”, Vaidya’s essay navigates two tangled histories, one personal and …

tennis-john-catbagan

Rhythm, Hippocampus Magazine

I’m pleased to have a flash piece published in the January issue of Hippocampus, an online magazine dedicated to entertain, educate, and engage writers and readers of creative nonfiction. Rhythm is a 750-word meditation on the “zone” one can attain while playing a sport or writing a story, along with the fleeting joy that ensues from tapping into the flow. There is a part towards the end where I compare this mode with what it might be like to be an animal, of being wholly present, fully embodied in the here and now, the beauty in that certainty of being: “… For one length, the twenty-second out of the thirty-four I would eventually complete, I was a seal, dark and torpid, and my arms were fins with which I used to shape the world. For one length, just one, I shed all meaning, instead was meaning, until nothing was left but presence, before strength failed and form broke, and I was human once again.” Read the Piece Here

The Camunico Annual: On Cultural Leadership

“… by taking a more post-modern approach, we have tried to bring together a series of articles that initially may seem unrelated but which, we believe, all contribute to offering perspectives from which readers are invited to allow their own ideas to develop; ideas about the nature of change around us, and how we, as individuals, organizations and institutions might thrive within that change.” – Camunico Annual, p.7 I was recently asked to contribute an edited version of my essay, Playing to Tie, to the inaugural issue of the Camunico Annual. Camunico is an Amsterdam-based leadership firm exploring “the cultural changes of our time, and how [they] influence individuals, businesses and leadership.” The short publication is now available free online, and my piece is accompanied by the following features: Joe Zammit-Lucia argues for the need to redefine leadership for the 21st century; Renowned artist Anish Kapoor speaks about lessons artists can offer the business world; Rob Wijnberg speaks on the future of journalism; An exploration of ancient tea ceremonies and their relevance to contemporary leadership. Each article is an intriguing …