From the creators of You are Stardust comes Wild Ideas, the latest picture book by environmental educator Dr. Elin Kelsey and mixed-media artist Soyeon Kim. Smaller in scope but more personal than Stardust, Wild Ideas employs a blend of language, art, and science to highlight humanity’s kinship with the animal world while showcasing nature as an inspirational force.
I thought I was done. I thought four parts and 7,500 words would be enough. But as I completed the last piece, I realize there was still so much more within The Dispossessed that spoke to me, and so much more than I wanted to share. So I took the easy way out and created a list post. I’ve come back to the following twenty passages time and again, discovering new nuances and insight within them. I chose them because they work both in text and on their own. I’ve inserted my brief thoughts with each, but I would love to hear what you think as well.
It’s been a while since I’ve featured a children’s story on Ekostories, but after this month’s spotlight on environmental artists and last week’s look at the need for hopeful tales in uncertain times, I thought it would be good to cover a story that employs both art and words to convey wonder to the next generation. Written by Elin Kelsey and featuring artwork by Soyeon Kim, You are Stardust from Owlkids Books is a picture book filled with tiny tales about the fascinating and unexpected ways that humans are part of nature.
One of the coolest things about the blogging community is connecting with other like-minded individuals. I recently had the honour to guest blog over at Earthninja, a great blog by fellow 2013 Canadian Weblog Award winner Emily Nichol that focuses on conservation, nature, and science communication. While tossing around ideas of things to write about, I found inspiration in an intriguing talk by Dr. Elin Kelsey, author, environmental educator, Rachel Carson Center fellow, and a past professor who shaped a lot of my interests and writings: In her video, Kelsey speaks about the importance of telling stories of hope and resilience even in the face of seemingly insurmountable challenges. Read the Accompanying Post Here Featured Image: Humpback breaching, by Whit Welles
If you follow Ekostories on a regular basis, you would know that one of my chief influences is author Ursula K. Le Guin. It was through her work that I first became intrigued by Taoism as a philosophy. Growing up in Hong Kong, my first encounters with Daoism came from ancient tales of whiskery old hermits who sought immortality and strangely robed priests who conducted rituals for the dead. In my adult life, I see bits and pieces of it incorporated haphazardly in the New Age movement. Neither experience was grounded in any context, and as such were bereft of personal meaning and value. For me, Taoism existed as a series of bizarre and disconnected ideas, frequently esoteric and utterly incomprehensible. Le Guin’s stories changed that. A lifelong student of the Tao Te Ching, she wove its ideas into her writing in a way that made the philosophy tangible, relevant, and meaningful. Her own interpretation of the ancient text is by no means the most accurate, complete, or definitive, but what it lacks in faithfulness it …
I came across Studio Ghibli’s Only Yesterday (titled Omohide Poro Poro in Japan) at a time of transition in my life. Having just having graduated from school and secured a job in my field, I had hoped that the path forward was secure, certain. The hours were nice and the pay was good, but as time went on I felt a growing dissatisfaction I could not dismiss but could not articulate. Catching the film by chance on television one late night, I connected with the protagonist’s own yearning for something more in life. This resonance spanned the gulf between gender, culture, and life experience; her fictional journey of self-discovery inspired me to reflect honestly on my own life. How does the past shape my present identity? Am I satisfied with the course of my life? Am I courageous enough to pursue what makes me genuinely happy? After seeing the film again this year, I believe Only Yesterday is one of the finest animated films ever made. Quiet, intimate, and poignant, Isao Takahata’s masterpiece contains elements Studio Ghibli …
The comic book is not the first medium that comes to mind for conveying the ideas of Henry David Thoreau, but it’s always nice to be pleasantly surprised. I stumbled upon Thoreau at Walden by John Porcellino at a small local bookstore several years ago and was immediately drawn to the thin tome. In this graphic novel, distilled passages are fused with a minimalistic art style to create a unique work that captures the essence of Thoreau’s physical and spiritual sojourn at Walden Pond. It has since become one of my favourite interpretations of the famous transcendentalist’s work, serving as a handy and accessible resource for Thoreau’s exploration into nature, culture, and self.