Today is the 86th birthday of author Ursula K. Le Guin, without whom I would have never wrote all the words on this blog, or any words in general, because I would have missed out on visiting worlds of wizards, dragons, aliens, Italians, anarchists, and ants. In light of this happy occasion, I’ve compiled the pieces I’ve written about her work over the years on Ekostories. To steal a passage from the introduction she did for James Tiptree Jr.’s Star Songs of an Old Primate: “Here are Some real stories.”
While A Wizard of Earthsea was a major childhood touchstone for me, it is the sequel The Farthest Shore that I return to time and again. Over the years I have found both comfort and strength within its pages during times of loss. For death is what the book, even though it is a YA novel (a National Book Award winning one at that), is really about: “The Farthest Shore is about the thing you do not live through and survive. It seemed an absolutely suitable subject to me for young readers, since in a way one can say that the hour when a child realizes, not that death exists – children are intensely aware of death – but that he/she, personally, is mortal, will die, is the hour when childhood ends, and the new life begins. Coming of age again, but in a larger context.” – Dreams must Explain Themselves, The Language of the Night And so inspired, here’s my tribute to the tale of Ged and Arren as they travel beyond the farthest shore, into the dry …
I think it was the sheer awfulness of this cover that persuaded my eleven-year-old self to pick A Wizard of Earthsea out of the class bookbox during reading period. Expecting a time wasting filler like so many others before, I had no idea at the time that I had just stumbled upon one of my most treasured and revisited stories in my life. Bless that ugly cover! Unlike the cover art, Ruth Robbin’s small but intricate illustrations that marked the beginning of each chapter made a positive lasting impression on me. So, as tribute to Robbin’s drawings and in time for BBC Radio 4’s recent dramatization of what is regarded as one of the seminal fantasy series of the 20th century , I present my sgraffito Wizard of Earthsea ceramic coasters! “It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the …
“I would call [A Wizard of Earthsea] a fantasy book for adults. You might call it young adult or fantasy, or one of those categories—which are really just there to help people put things on bookshelves. But because it is really talking about life and mortality and who are we as human beings, and what is the relationship between our darker side and the rest of us, I think it can be profitably read by anybody over the age of 12.” – Margaret Atwood
Welcome to the conclusion of Hayao Miyazaki’s Nausicaä of the Valley of the Wind. Exiting the hidden garden, Nausicaä realizes that Ohma has gone on by itself to Shuwa. A group of wormhandlers track her down and swears fealty to their new guardian deity. Surrounded by loyal subjects willing to do her bidding, Nausicaä realizes that she is no different than the first Dorok emperor, who centuries before went off to Shuwa to “save humanity.”
Welcome to part two of the analysis for the third Earthsea novel, The Farthest Shore. In this entry, I would like to explore more thoughts and connections I had that were sparked by the narrative. They include society’s relationship with nature, the perils of greed and consumption, and qualities crucial to environmental leaders and educators.
The Farthest Shore is my favourite story of the Earthsea series. It is also one of my favourite novels of all time. While I loved Wizard more growing up, Shore is the book I come back to as an adult. The prose is graceful and fluid, written by someone with mastery of the language. The exchanges between the characters are honest, heartfelt, and thought-provoking. It is a story that tackles the one theme we all must face: Death. I have taken both meaning and solace from its pages during times of loss and grief. The exploration of The Farthest Shore will be split into two parts; there’s simply too much material to cover in one entry. I’ve spent a tremendous amount of time with this book, so it’s no surprise that I have forged many connections with it. Let’s get started!