All posts filed under: Personal

Personal stories that have elements of nature, culture, and self.

Lungwort Lichen

Regarding Lichen, Tin House Online

Happy to announce that my short story “Regarding Lichen” has been published on Tin House Online as part of their Flash Friday series. “Lichen” was inspired by the stylings of the late and great Donald Barthelme, in particular one of my favourite story of his titled “Concerning the Bodyguard” which is similarly built on questions hinting at an underlying narrative. “Lichen” takes a different tone and is written as a love story: “What are the odds of the lichen settling on this rock? This tongue of rock, jutting out from a sea of permafrost? Is the lichen aware of other lichens, borne on other winds, clones of itself, diaspores settling on bleached shores, on exposed outcrops, or drowning in bogs?” I hope you enjoy it. I apologize for not posting more in recent months. It’s partly due to the fact that I’m working on a bunch of different projects (like this one) and partly because after a hundred plus essays, I’m running low on stories I want to explore on a deeper basis. But rest assured, …

6 Degrees of Interconnection

Six Degrees of Interconnection, Orion Magazine

I’m pleased to have another short essay, “6 Degrees of Interconnection”, published in the latest Orion. Despite the title of the piece, I promise it is 100% Kevin Bacon free. Here’s a description on the rest of the issue: “In this issue, Robin Wall Kimmerer explores how language can affirm our kinship with the natural world, and John Landretti considers where the line lies between what is real and what is perceived. Other features include Jeremy Miller on an ecological experiment to create a wilderness area, and Anjali Vaidya on what it means to adapt in a post-colonial world. Also: poetry by Sierra Golden, Kimiko Hahn, Joan Naviyuk Kane, and James Thomas Stevens; plus Simen Johan’s lush photographs of wild animals and Jesse Chehak’s photographs of luminous water and ice in the North and West Atlantic.” I had the pleasure of attending the 2015 Bread Loaf Orion conference with Anjali Vaidya, so I’m naturally delighted to have my work featured alongside hers. Titled “Native or Invasive”, Vaidya’s essay navigates two tangled histories, one personal and …

Giant Steel Crab George Norris

What Matters, River Teeth Journal

Recently, I had the honour to contribute a short-short to “Beautiful Things”, the online section of River Teeth: A Journal of Nonfiction Narrative. River Teeth is one of the most well-known creative nonfiction publications around, and in my opinion has the most inspired name. On its origin: “…there are hard, cross-grained whorls of human experience that remain inexplicably lodged in us, long after the straight-grained narrative material that housed them has washed away. Most of these whorls are not stories, exactly: more often they’re self-contained images of shock or of inordinate empathy; moments of violence, uncaught dishonesty, tomfoolery; of mystical terror; lust; joy. These are our “river teeth”-the knots of experience that once tapped into our heartwood, and now defy the passing of time.” – David James Duncan On what “Beautiful Things” look like: “Glimpses, glimmers, meditations, moments, reflections, refractions, interrupted shadows, river shimmers, darkened mirrors, keyholes, kaleidoscopes, earring hoops, slabs of cracked granite, cracks where the light gets in. Beautiful things.” – River Teeth’s website I won’t spoil “What Matters” since it’s less than …

Outside Laxness Museum Iceland

Ekostories and Ekphrasis

It’s been more than five years since I started Ekostories. In the About section, I wrote that I originally chose the “Eko” prefix because it was a derivation from the Greek word “oikos”, meaning home or household, which was the root word for ecology, meaning the study of home or household. Over the years I have learned through happy coincidence that the name and this blog has taken on another meaning, of ekphrasis, which is the retelling of art through interpretation and re-creation. I’ve tried to engage in this process on several occasions, particularly with art-related Ekostories. Last month, I had the opportunity to attend a workshop at the 2017 Iceland Writers Retreat with Canadian novelist Esi Edugyan as she tackled the subject of writing about art and artists: “How do we begin to describe the sound and texture of music? To convey the act of painting, or the effect that that painting has upon the viewer? How do we express in words the flavours in a thoughtfully made dish? Can verisimilitude ever be achieved? …

tennis-john-catbagan

Rhythm, Hippocampus Magazine

I’m pleased to have a flash piece published in the January issue of Hippocampus, an online magazine dedicated to entertain, educate, and engage writers and readers of creative nonfiction. Rhythm is a 750-word meditation on the “zone” one can attain while playing a sport or writing a story, along with the fleeting joy that ensues from tapping into the flow. There is a part towards the end where I compare this mode with what it might be like to be an animal, of being wholly present, fully embodied in the here and now, the beauty in that certainty of being: “… For one length, the twenty-second out of the thirty-four I would eventually complete, I was a seal, dark and torpid, and my arms were fins with which I used to shape the world. For one length, just one, I shed all meaning, instead was meaning, until nothing was left but presence, before strength failed and form broke, and I was human once again.” Read the Piece Here

mahogany-clam

Mind of a Clam: Driftfish, A Marine Life Anthology

In light of International Remembrance Day for Lost Species, I’m proud to be a contributor of Driftfish, a new marine life themed anthology put out by Zoomorphic, a UK magazine and micropublisher dedicated to writing that deepens our connection with wildlife and the more-than-human world: “From the hundreds of submissions that we were privileged to read from poets and prose writers from all over the world, we have curated an anthology that we hope reflects Zoomorphic’s core principle: to defend non-human species, we must reconnect our imaginations to them.” – co-editors James Roberts and Susan Richardson My short story, titled “Mind of a Clam”, is inspired by Italo Calvino’s Cosmicomics, in which the late and great fabulist takes a germ of science and spins a tale around it, and by Roderick Sloan, a seafood supplier and diver from Norway who was featured in one of my favourite shows called Mind of a Chef – from which this story took its name. An excerpt: “…The entrée won’t be coming for a while, so we have time. Time. Putting up the …

Me and Gravity

Me and Gravity, Orion Magazine

I am honoured to be a contributor in the latest double-issue of Orion, a fantastic magazine that explores ideas around nature, culture, and place. If that tagline sounds familiar to Ekostories, it’s because Orion was one of my chief inspirations for taking up the pen (keyboard?) years ago and remains one of the few publications I relish reading from beginning to end. I’m thrilled to have my short piece, “Me and Gravity”, included as the coda. But beyond the thrill of seeing the work in print, what I am most grateful for  – and it was something that came as a delightful surprise – is to be part of an issue that focused on diversity and perspectives, especially pertaining to the environmental movement. So here is my request: If you haven’t already, pick up this beautifully produced, completely ad-free publication and see what it’s about. But don’t do it because of my silly little story. Don’t even do it for the amazing writing by personal craft heroes like Joe Wilkins and Barry Lopez (both of which are featured in …