All posts filed under: Non-fiction

Ekostories in narrative or creative non-fiction.

Link and the Forest Temple Jeremy Fenske

Newfound, Journeys to HYRULE_

Delighted that my latest piece of creative nonfiction titled “Journeys to HYRULE_” has found the perfect home with Newfound, a nonprofit publisher and publication that explores how place shapes, identity, imagination, and understanding: “We believe that a richer experience of place—spaces human-made, natural, conceptual, or otherwise—is requisite in understanding ourselves and our world. Newfound is passionate about positively transforming how we relate to our habitats and bringing about better stewardship of our homes, neighborhoods, communities, cities, nations, and the globalized world at large.” —Why is Newfound important? Inspired by Italo Calvino’s Invisible Cities and Nintendo’s The Legend of Zelda videogame series (both of which I have written about here on Ekostories), “Journeys” is a rumination on the lifelong bonds I’ve forged with a certain virtual world. I was particularly interested in exploring the notion of attachment to a digital realm that is constantly reimagined with each iteration, along with the feeling of returning to a familiar place I have never been: “…This is not my story but I know its shape. I am not the …

Life Lessons from the Odd and Ancient, The Hopper

Pleased to have a new natural history essay up at The Hopper, an environmental literary magazine from Green Writers Press. The germ of this came about when I was piecing together an impromptu interpretive talk on living fossils and extinct creatures a few years back. Looking through horseshoe crabs, replica Megalodon teeth, and Cretaceous cypress needles, I was inspired by the many bizarre and under-appreciated organisms throughout Earth’s history, and felt compelled to share some of their stories through wordplay and lyrical prose: “If you’ve been feeling adrift on the sea of life lately, it might be best to seek guidance from an elder. You may wish to fish one out of the drink, like Captain Hendrik Goosen did one salty morning off the coast of South Africa in 1938, but be sure to verify its credentials first, as curator Marjorie Courtenay-Latimer did after spotting the creature’s four fleshy fins and puppy dog tail. Surprised at being consulted after four hundred million years, the coelacanth may be inclined to impart its accrued wisdom onto receptive devotees. …

Lammergeir by Lip Kee

Lammergeier, Journeys to Earthsea

Thrilled that my newest personal essay has found a home in the debut issue of Lammergeier, a literary publication named after one of the coolest birds around: “Lammergeier, as with so many artistic visions, starts with a bird. Lammergeiers eat almost exclusively bones. Using its large, powerful wings, the lammergeier drops bones from the great heights to crack them open and access the marrow inside. The lammergeier is also renowned for its plumage: brilliant rusty-hued feathers and dark, bristled faces created both by the luck of birth and the wear and tear of its mountain habits. We here at Lammergeier look for the beautiful vulture, the wonder uncovered digging through the grotesque, the sustaining viscera inside the carcass.” – About Us, Lammergeier “Journeys to Earthsea” delves into the trips I’ve made over the decades to what is arguably the most famous fictional archipelago: “Narveduen. The name is what draws my eye. NAR-VE-DU-EN. The sound is what holds true. Surrounding it, the isles of Derhemen, Onon, and Hille. South and west, the scraps of rock above …

Cheung Chau Sunrise Orient

Lodestone, Tahoma Lit Review

Excited to have a flash nonfiction piece published in the latest issue of Tahoma Literary Review, a great journal produced with “the aim of contributing to and sustaining a healthy literary ecosystem.” A description of the themes explored in this volume: “The 25 selections in our Fall/Winter issue describe dreams and omens; bodies in motion; how we deal with fear and grief; what we inherit and what we pass on. The stories, essays, and poems range in time and geography from the drought-ridden Midwestern plains of the 1870s to present-day Cheung Chau, Hong Kong.”  “Lodestone” takes place in that latter location, on the isle of Cheung Chau off the shores of Hong Kong, and revolves around a narrator’s return to a homeplace only to discover he is not the only one who has been drawn back. The featured photo may help you situate in the space, as it did for me when I finally sat down to write this piece. I feel especially fortunate to be in the company of some fantastic authors in this issue; …

Perseid Meteor Showers

Transience, Juxtaprose Magazine

Happy to have a new personal essay up in the summer issue of Juxtaprose, a literary magazine that juxtaposes both emerging and established writers as well as local and global ones. It seemed a good fit as Transience itself contrasts the terrestrial with the celestial, the profound with the quotidian, the intimate with the vastly distant: “…Hundreds of us had gathered for the Perseid meteor showers, drawn to a source phenomenon that may have sparked our species’ penchant for fireworks, rock concerts, and other grand spectacles. Throughout the ages cultures gave names to these star sacrifices, imbued them with intention, granted them power. Shooting stars were transmuted into the slings of slighted gods, dragons of fortune and calamity, the tears of martyred saints. Even in modern times, when we know that they comprise mere rock and debris, many of us continue to attach meaning to these mineral rains. Some of us still seek miracles by appealing to forces we do not understand and cannot master. I still, on occasion, have the need to wish upon …

Clouds and Cornfield

All My Best Words Were Hers

My thanks to Entropy Magazine for publishing All My Best Words Were Hers, my essay exploring the legacy of Ursula K. Le Guin. Over the past several months, I’ve mourned her passing by reading every tribute I can find. Most touch upon her seminal works, on Earthsea and Omelas, on The Dispossessed and The Left Hand of Darkness. Yet few seem to speak to the wider breadth of her oeuvre, which ranged from critical essays and genre-defying short stories to translations of ancient texts and funny food recipes. Le Guin would be rankled at that, I think. This piece is intended to shine a light on her lesser known works, reorient her more famous pieces through my own lens, and showcase the woman behind and beyond the words. She would appreciate the gesture, I hope: “In the evening, my mom sends me a text: Are you ok? I saw one of her quotes @Twitter: ‘Go on and do your work. Do it well. It is all you can do.’ Gensher, of Way. A biological parent, delivering advice from a literary …

Sunflower Briar Patch

The Briar Patch, The Sunlight Press

Happy to have a short piece published in The Sunlight Press, a literary journal for new and established voices: “…With the site prepared, you and your friends begin to forge something new. There are no master plans, no plans at all. A wire fence, they say, to keep out the rats. Some wood chips to lay, to mark down the paths. You throw yourself into tasks that fill body and mind, and over the course of an easy spring, hard work gives rise to small beginnings. Radish seeds and sweet peas spool forth soft threads, greedy for light. Butterflies wink in and out to drink sugar syrup from trumpet flowers. A new commonwealth sprawls forth above ground and underfoot. Yet part of you still yearns for the manic patch of old, wild and invasive, all-consuming…” Exploring the healing power of a garden over the seasons, “The Briar Patch” is a piece that fits with the publication’s desire to explore the many ways “people turn toward light and hope”, and also of epiphanies “born from the …