Brazil is a mess of a movie in the best possible way. Terry Gilliam’s creation is wildly original and incredibly chaotic, blending elements of comedy and drama into an unforgettable piece of cinema. Visually extravagant and thematically dense, Brazil rewards observant and repeat viewers with a barrage of imagery and subtext ripe for speculation and analysis. A story with almost too much to say, I regard Brazil as one of the most memorable explorations into the absurdities and perils of modern society, and worthy of becoming an Ekostory.
“In ancient times, the land lay covered in forests, where from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit, for those were the days of gods and of demons…” – Introduction of Princess Mononoke I consider Princess Mononoke, a film by Hayao Miyazaki’s Studio Ghibli, to be one of the best environmental movie in history. Inspired by the tumultuous Muromachi era in Japanese history, Princess Mononoke explores the relationship between humans and nature in all its complex and tragic facets. Unlike many other environmental films but like so many of Miyazaki’s works, Mononoke does away with clear-cut dichotomies of good and bad; characters act with understandable motivations. Most of them are capable of change and in some cases, even redemption. The film’s unusual conclusion stresses the need for acceptance, integration, and reconciliation, even in the face of horrifying, …
The Man Who Planted Trees is one of my wife’s favourite stories. I was fortunate enough to see the Oscar-winning animated short film with her last year at the Vancouver Cherry Blossom Festival; I was immediately swept away by the beauty of both movie and message. Although it is a work of fiction, The Man Who Planted Trees is a testament to one man’s ability to bring about hope and happiness for himself and to the world around him.
“Here is a children’s film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap.” – Roger Ebert, My Neighbor Totoro review