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Contains all existing Ekostories.

Link and the Forest Temple Jeremy Fenske

Newfound, Journeys to HYRULE_

Delighted that my latest piece of creative nonfiction titled “Journeys to HYRULE_” has found the perfect home with Newfound, a nonprofit publisher and publication that explores how place shapes, identity, imagination, and understanding: “We believe that a richer experience of place—spaces human-made, natural, conceptual, or otherwise—is requisite in understanding ourselves and our world. Newfound is passionate about positively transforming how we relate to our habitats and bringing about better stewardship of our homes, neighborhoods, communities, cities, nations, and the globalized world at large.” —Why is Newfound important? Inspired by Italo Calvino’s Invisible Cities and Nintendo’s The Legend of Zelda videogame series (both of which I have written about here on Ekostories), “Journeys” is a rumination on the lifelong bonds I’ve forged with a certain virtual world. I was particularly interested in exploring the notion of attachment to a digital realm that is constantly reimagined with each iteration, along with the feeling of returning to a familiar place I have never been: “…This is not my story but I know its shape. I am not the …

Life Lessons from the Odd and Ancient, The Hopper

Pleased to have a new natural history essay up at The Hopper, an environmental literary magazine from Green Writers Press. The germ of this came about when I was piecing together an impromptu interpretive talk on living fossils and extinct creatures a few years back. Looking through horseshoe crabs, replica Megalodon teeth, and Cretaceous cypress needles, I was inspired by the many bizarre and under-appreciated organisms throughout Earth’s history, and felt compelled to share some of their stories through wordplay and lyrical prose: “If you’ve been feeling adrift on the sea of life lately, it might be best to seek guidance from an elder. You may wish to fish one out of the drink, like Captain Hendrik Goosen did one salty morning off the coast of South Africa in 1938, but be sure to verify its credentials first, as curator Marjorie Courtenay-Latimer did after spotting the creature’s four fleshy fins and puppy dog tail. Surprised at being consulted after four hundred million years, the coelacanth may be inclined to impart its accrued wisdom onto receptive devotees. …

Lammergeir by Lip Kee

Lammergeier, Journeys to Earthsea

Thrilled that my newest personal essay has found a home in the debut issue of Lammergeier, a literary publication named after one of the coolest birds around: “Lammergeier, as with so many artistic visions, starts with a bird. Lammergeiers eat almost exclusively bones. Using its large, powerful wings, the lammergeier drops bones from the great heights to crack them open and access the marrow inside. The lammergeier is also renowned for its plumage: brilliant rusty-hued feathers and dark, bristled faces created both by the luck of birth and the wear and tear of its mountain habits. We here at Lammergeier look for the beautiful vulture, the wonder uncovered digging through the grotesque, the sustaining viscera inside the carcass.” – About Us, Lammergeier “Journeys to Earthsea” delves into the trips I’ve made over the decades to what is arguably the most famous fictional archipelago: “Narveduen. The name is what draws my eye. NAR-VE-DU-EN. The sound is what holds true. Surrounding it, the isles of Derhemen, Onon, and Hille. South and west, the scraps of rock above …

Big Blue

Our Museum of the Future – Shenandoah

Humbled and honoured to contribute a short story to the latest issue of Shenandoah Literary Magazine. I had the good fortune of working on “Our Museum of the Future” with editor Beth Staples, whose new vision for the venerable publication is one I find compelling: “…I consider it my job to privilege voices that don’t fit into that category, not just because it’s the right thing to do to counteract many years of established practice, but because reading is one of a very few ways we can jump into the mind of someone else.” The fundamental purpose of literature in Staples’ view is “to expand the reader’s sense of the world and their place in it. It should also be one of our goals for being alive: stepping into another person’s shoes and practicing radical empathy.” – Radical Rebirth, The Columns “Our Museum of the Future” grew out of the conceit that there exists a public space where words are showcased and curated in the same fashion as bones: “Welcome to a museum of words instead of bones. …

Cheung Chau Sunrise Orient

Lodestone, Tahoma Lit Review

Excited to have a flash nonfiction piece published in the latest issue of Tahoma Literary Review, a great journal produced with “the aim of contributing to and sustaining a healthy literary ecosystem.” A description of the themes explored in this volume: “The 25 selections in our Fall/Winter issue describe dreams and omens; bodies in motion; how we deal with fear and grief; what we inherit and what we pass on. The stories, essays, and poems range in time and geography from the drought-ridden Midwestern plains of the 1870s to present-day Cheung Chau, Hong Kong.”  “Lodestone” takes place in that latter location, on the isle of Cheung Chau off the shores of Hong Kong, and revolves around a narrator’s return to a homeplace only to discover he is not the only one who has been drawn back. The featured photo may help you situate in the space, as it did for me when I finally sat down to write this piece. I feel especially fortunate to be in the company of some fantastic authors in this issue; …

Perseid Meteor Showers

Transience, Juxtaprose Magazine

Happy to have a new personal essay up in the summer issue of Juxtaprose, a literary magazine that juxtaposes both emerging and established writers as well as local and global ones. It seemed a good fit as Transience itself contrasts the terrestrial with the celestial, the profound with the quotidian, the intimate with the vastly distant: “…Hundreds of us had gathered for the Perseid meteor showers, drawn to a source phenomenon that may have sparked our species’ penchant for fireworks, rock concerts, and other grand spectacles. Throughout the ages cultures gave names to these star sacrifices, imbued them with intention, granted them power. Shooting stars were transmuted into the slings of slighted gods, dragons of fortune and calamity, the tears of martyred saints. Even in modern times, when we know that they comprise mere rock and debris, many of us continue to attach meaning to these mineral rains. Some of us still seek miracles by appealing to forces we do not understand and cannot master. I still, on occasion, have the need to wish upon …

Omega Institute Rhinebeck

2018 Orion Environmental Writers’ Workshop

Looking forward to attending the Orion Environmental Writers’ Workshop at the Omega Institute in Rhinebeck, New York, this June 10-15: “The Orion Environmental Writers’ Workshop is an annual week-long writing workshop for writers who want to improve their writing about nature and the environment. This workshop gives writers the unique opportunity to connect with Orion writers and editors in order to understand more deeply Orion‘s approach to the relationship between literature and the natural world. This program is for writers who want to learn how to write an Orion essay, short story, or poem; for writers who seek to become better advocates for the environment through their writing; for poets who are drawn to writing about nature and culture; for teachers and scholars who wish to write for a more general readership; and for environmental professionals who want to bring better writing skills to bear on their work.” As I’m trying my hand at fiction this time around, I’m excited to workshop pieces with Megan Mayhew Bergman, essayist for The Paris Review and author of the excellent short story collection Birds of …