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Yes, You can Leave The Hospital Without Naming Your Baby
Some publication news: I’m super honoured to have a piece of creative nonfiction up at the latest issue of The Willowherb Review, a fantastic UK-based publication focused on providing a platform for nature writing from writers of colour. Some of you might recall that I also had another piece titled El Lugar de Los Sueños in Willowherb last year. Instead of another personal meditation, I...
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The Ecological Imagination of Hayao Miyazaki, Orion Magazine
It’s not every day that you get to work on a dream project with a dream publication. I’m excited to share that I have a new piece up online at Orion magazine, exploring the ecological imagination of Hayao Miyazaki. Where the word for forest is silence A tree and troll to watch over me Carrying on through a wayward world Reading the wind, mending...
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Second Best is Best, Gulf Coast Online
I’m particularly excited to announce that a new essay published online over at Gulf Coast, a journal co-founded by one of my favourite writers, Donald Barthelme. “Second Best is Best” is one in a collection I’m working on where I try to cram as many creatures and entities into a single piece of prose as possible and still have it be semi-coherent. Inspired by...
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Tiny Molecules: One Summer, by Iceland
One more piece of news to cap off the year: I’m delighted to have found a home for a new story in the winter issue of Tiny Molecules, an online quarterly literary magazine of small fiction. “One Summer, in Iceland” features the titular island of fire and ice as protagonist, or so it seems: “Yesterday for the first time this spring the rains died...
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Flash Fiction Magazine, Last Light
I have a new piece of flash fiction (stories that are less than 1,000 words) over at Flash Fiction Magazine. “Last Light” uses the concept of lightspeed as a means to convey the time and distance necessary for healing: It’s been a thousand days since the sun died. Our star. My heart. It takes last light eight minutes to kiss the brow of the...
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The Willowherb Review: El Lugar de Los Sueños
I’m pleased to have a new essay out in the latest issue of The Willowherb Review, a publication celebrating nature writing from emerging and established writers of colour: “Why ‘Willowherb’? Chamaenerion angustifolium, commonly known as rosebay willowherb or fireweed, is a plant that thrives on disturbed ground. Its seeds do well when transported to new and difficult terrain, so some—not us—may call it a weed.” ...
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Life Lessons from the Odd and Ancient, The Hopper
Pleased to have a new natural history essay up at The Hopper, an environmental literary magazine from Green Writers Press. The germ of this came about when I was piecing together an impromptu interpretive talk on living fossils and extinct creatures a few years back. Looking through horseshoe crabs, replica Megalodon teeth, and Cretaceous cypress needles, I was inspired by the many bizarre and under-appreciated...
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Lammergeier, Journeys to Earthsea
Thrilled that my newest personal essay has found a home in the debut issue of Lammergeier, a literary publication named after one of the coolest birds around: “Lammergeier, as with so many artistic visions, starts with a bird. Lammergeiers eat almost exclusively bones. Using its large, powerful wings, the lammergeier drops bones from the great heights to crack them open and access the marrow...
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Lodestone, Tahoma Lit Review
Excited to have a flash nonfiction piece published in the latest issue of Tahoma Literary Review, a great journal produced with “the aim of contributing to and sustaining a healthy literary ecosystem.” A description of the themes explored in this volume: “The 25 selections in our Fall/Winter issue describe dreams and omens; bodies in motion; how we deal with fear and grief; what we...
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Transience, Juxtaprose Magazine
Happy to have a new personal essay up in the summer issue of Juxtaprose, a literary magazine that juxtaposes both emerging and established writers as well as local and global ones. It seemed a good fit as Transience itself contrasts the terrestrial with the celestial, the profound with the quotidian, the intimate with the vastly distant: “…Hundreds of us had gathered for the Perseid...
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