Ekostories

All My Best Words Were Hers

by Isaac Yuen

My thanks to Entropy Magazine for publishing All My Best Words Were Hers, my essay exploring the legacy of Ursula K. Le Guin. Over the past several months, I’ve mourned her passing by reading every tribute I can find. Most touch upon her seminal works, on Earthsea and Omelas, on The Dispossessed and The Left Hand of Darkness. Yet few seem to speak to the wider breadth of her...

April 5, 2018

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Non-fiction, Personal
On The Edge, Calling Back: An Interview with Barry Lopez

by Isaac Yuen

I had the recent pleasure of reading a great interview with Barry Lopez that I would like to share here on Ekostories. I’ve long admired Lopez’s writing; Arctic Dreams remains one of the most perceptive and spellbinding books I’ve read in recent years. In the interview, Patrick Pittman chats with the celebrated author on “ethics, hope, death, and the importance of good people in times that are...

November 1, 2017

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Links
Regarding Lichen, Tin House Online

by Isaac Yuen

Happy to announce that my short story “Regarding Lichen” has been published on Tin House Online as part of their Flash Friday series. “Lichen” was inspired by the stylings of the late and great Donald Barthelme, in particular one of my favourite story of his titled “Concerning the Bodyguard” which is similarly built on questions hinting at an underlying narrative. “Lichen” takes a different...

October 14, 2017

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Fiction, Personal
Art, Animal, Essence: The Drawings of Charley Harper

by Isaac Yuen

I don’t remember exactly when I stopped drawing. I don’t mean the occasional doodles I do now; I mean before, when drawing was like daily bread, a childhood mainstay. I mean the classes, the contests, the urge to recreate images I saw in books, from movies, outside, everywhere. It was definitely before middle school, before that one time in English class where we had...

December 23, 2016

Art
The Cost of Change: Star Trek Deep Space Nine’s Progress

by Isaac Yuen

“This may be the last time we’re all together. But no matter what the future holds, no matter how far we travel, a part of us – a very important part – will always remain here, on Deep Space Nine.” – DS9’s finale, What You Leave Behind Star Trek: Deep Space Nine’s finale aired 17 years ago, and as much as the new films have...

August 17, 2016

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Television Shows
Atlas of Remote Islands: Fifty Islands I Have Never Set Foot On and Never Will

by Isaac Yuen

The first place I ever felt at home in was on an island. My grandparents lived on Cheung Chau, an island ten kilometers southwest of Hong Kong. Literally translated as “long isle”, Cheung Chau is shaped like a dumbbell, its two granite masses joined in the middle by a sandbar. As a child I spent weekends and summers there fishing and swimming, and even now...

August 5, 2016

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Non-fiction
More Than Ferns: Oliver Sacks’ Oaxaca Journal

by Isaac Yuen

When I finished the preface to Oliver Sacks’ Oaxaca Journal and found that the late neurologist and author shared my love for natural history travelogues, I knew I was in for a treat. What I was not expecting to discover was a potential new writing muse and a possible kindred spirit. If you harbour no interest for ferns, travel writing, or Oliver Sacks as a person,...

May 30, 2016

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Non-fiction
Change, Choice, Connection: Cloud Atlas

by Isaac Yuen

“Our lives are not our own. From womb to tomb, we are bound to others, past and present, and by each crime and every kindness, we birth our future.” – Sonmi 451 Thus sums up the core premise of Cloud Atlas, one of the more polarizing movies in recent memory and my personal favourite film for 2012. Spanning six stories over five centuries, many...

October 18, 2013

Comments 22

Movies
Finding the Middle Ground: Pixar’s Wall-E

by Isaac Yuen

More than a year of Ekostories and not a single mention of Wall-E? You must think I hold some sort of vindictive grudge against cute robots. The truth is that I love Wall-E. It is a lovingly crafted tale that hits all the right notes, a rare gem that effortlessly exudes charm to audiences young and old, and represents Pixar at the height of their craft...

April 4, 2013

Comments 14

Movies
Nostalgia Distilled: Ghibli’s Only Yesterday

by Isaac Yuen

I came across Studio Ghibli’s Only Yesterday (titled Omohide Poro Poro in Japan) at a time of transition in my life. Having just having graduated from school and secured a job in my field, I had hoped that the path forward was secure, certain. The hours were nice and the pay was good, but as time went on I felt a growing dissatisfaction I could...

February 15, 2013

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Movies

Italo Calvino’s Marcovaldo: Seasons in the City

Bedridden with the flu on a recent writing retreat, I had resigned myself to focus on recovery rather than to get any writing done. I had not expected, between the coughing fits and the fever chills, to find new inspiration from a familiar source. But there it was, sitting eye-level on the third shelf of a corner bookcase at a stranger’s vacation rental, all 128 pages of glory: Italo Calvino’s Marcovaldo, translated by William Weaver. My experience with Calvino is uneven. On more than one occasion, my awe of the Italian author’s way with words outpaced my ability to keep up with the quickness of his intellect. I gave up halfway through The Castle of Crossed Destinies because my mind could no longer hold the labyrinth of interconnected narratives together, and while I admired and strove to emulate the stylings of his Cosmicomics, many of those journeys across time, space, and imagination remains beyond my comprehension. Yet when Calvino’s work connects, he leaves an impression upon me unlike any other author. Even as I have...

The Left Hand of Darkness: Nature, Culture, and the Other

by Isaac Yuen

Welcome to the second part of my look at Ursula K. Le Guin’s The Left Hand of Darkness. For a synopsis of the book, please check out the first part of this piece.

Manufactured Landscapes: A meditation on man-made spaces

by Isaac Yuen

I don’t recall where I first came across the work of Edward Burtynsky; it could have been at the library, the bookstore, or one of those coffee shops with actual coffee table books. All I remember was being drawn to the front cover image of his collection of photographs, to the intense fluorescent shock of orange lava snaking through charred lands: A beautiful and awesome volcanic landscape. Only when I read the title, half immersed in the river’s glow, did I realize something was amiss. Manufactured Landscapes. As I flipped through the book, the beauty that I saw and the awe that I held for the landscape fell away, replaced by a swell of alarm and disbelief. The river wasn’t lava, the setting wasn’t volcanic, and nature had nothing to do with the creation of this particular landscape. One of the most powerful things art can do is challenge us to examine the assumptions we hold about the world. Burtynsky’s photographic forays into industrial shadows pushed me to confront my own notions on beauty and ugliness, the...

George Orwell’s Some Thoughts on the Common Toad

by Isaac Yuen

As an aspiring essayist, it shames me to admit that I have only recently become familiar with the narrative and critical essays of George Orwell. While I have read his manifesto on clear writing, Politics and the English Language, I remained ignorant on the bulk of his work until a chance meeting with a shelf in a very comfortable section of the library. It was a joy to discover for the first time, Orwell’s quietly devastating account of time spent at a London workhouse in The Spike, his reflections on the ugly facets of colonialism in Shooting an Elephant, and his comment on the futility of vengeance, distilled into one waxy yellow face, in Revenge is Sour. Whatever the subject matter, Orwell had a knack for getting to its root with a concrete metaphor or an unforgettable statement. As an essayist, there is no greater skill than to be able to convey exactly what one intends, vividly and without doubt. For this is the writer’s truth, and Orwell spoke it as well as anyone. Nature...

Star Trek’s Finest Hour: The Inner Light

by Isaac Yuen

Star Trek: The Next Generation was one of the first western television shows I recalled watching. As a kid, I didn’t understand why people were dressed up in primary colour uniforms or what they talked about, but it all sounded very interesting and important. As my English comprehension skills improved, it grew to become one of my favourite shows and provided my first exposure to science fiction. Many people who dismiss science fiction tend to think it begins and ends with rocketships and warp drives, along with the implication that to escape from the real world is essentially a childish impulse. But many of the best sci-fi stories are able to use the metaphors of the genre as unique vehicles to deliver insight into the human condition: “Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life – science, all the sciences, and technology, and the relativistic and the historical outlook, among them.” -Introduction...

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All My Best Words Were Hers

On The Edge, Calling Back: An Interview with Barry Lopez

Regarding Lichen, Tin House Online

Art, Animal, Essence: The Drawings of Charley Harper

The Cost of Change: Star Trek Deep Space Nine’s Progress

Atlas of Remote Islands: Fifty Islands I Have Never Set Foot On and Never Will

More Than Ferns: Oliver Sacks’ Oaxaca Journal

Finding the Middle Ground: Pixar’s Wall-E

Nostalgia Distilled: Ghibli’s Only Yesterday